1 00:00:06,440 --> 00:00:11,500 In Section 2, as explained earlier, the amount of information in the subject matter is determined by factors other than description. 2 00:00:11,620 --> 00:00:15,880 We will explain how to raise your content and attract attention. 3 00:00:16,180 --> 00:00:20,020 This lecture uses contrast as one of the methods. 4 00:00:20,180 --> 00:00:22,300 We will discuss how to do this. 5 00:00:22,740 --> 00:00:27,840 Before we talk about contrast in earnest, what is the level of control and completeness? 6 00:00:28,000 --> 00:00:31,340 I think it would be good to first explain whether there is a connection. 7 00:00:31,820 --> 00:00:37,200 First, what is strength and weakness? Strength is great contrast or density. 8 00:00:37,380 --> 00:00:42,320 It refers to an area with high three-dimensionality, that is, an area with a high amount of information. 9 00:00:42,740 --> 00:00:46,680 Medicine is low-contrast, low-density, flat, 10 00:00:47,220 --> 00:00:50,140 In other words, it refers to an area with low information content. 11 00:00:50,460 --> 00:00:55,020 In summary, the river refers to the area that attracts attention. 12 00:00:55,400 --> 00:00:58,540 The medicine refers to the area that diverts attention. 13 00:00:58,880 --> 00:01:02,880 I think some students may have a question here. 14 00:01:03,220 --> 00:01:05,700 Why does greater contrast increase the amount of information? 15 00:01:06,060 --> 00:01:08,640 Let's talk about this too. 16 00:01:08,940 --> 00:01:13,480 This contrast means emphasizing each other's characteristics more. 17 00:01:13,780 --> 00:01:17,920 So if you have two colors, the two colors will be clearer. 18 00:01:18,080 --> 00:01:20,420 It can be interpreted that there is a distinction. 19 00:01:20,760 --> 00:01:25,780 Separation means that two things look like two. 20 00:01:26,100 --> 00:01:30,700 Conversely, if the contrast is low, the two colors will appear together. 21 00:01:30,860 --> 00:01:35,400 This makes the two colors look like one. 22 00:01:35,700 --> 00:01:39,300 Therefore, there are more high contrasts than low contrasts. 23 00:01:39,480 --> 00:01:41,740 It is possible to have a large amount of information. 24 00:01:42,080 --> 00:01:47,380 Now that I've gone back and looked into what this strength is, how does it relate to completeness? 25 00:01:47,420 --> 00:01:51,260 Let me explain this using an example. 26 00:01:51,560 --> 00:01:53,560 Here are two images. 27 00:01:53,960 --> 00:01:59,500 A becomes an illustration that does not lead the eye and has no strong or weak points. 28 00:01:59,760 --> 00:02:03,880 B is an illustration with appropriately distributed strengths and weaknesses. 29 00:02:04,240 --> 00:02:05,500 Let's start with A. 30 00:02:05,800 --> 00:02:10,419 There is more overall information than B, but it is difficult to focus the attention. 31 00:02:10,639 --> 00:02:14,120 I think you can feel it dispersing. 32 00:02:14,400 --> 00:02:17,480 Therefore, it became difficult to read the subject matter. 33 00:02:17,740 --> 00:02:22,580 And the level of description of the main part is the same as B, but for some reason the quality is lower. 34 00:02:22,740 --> 00:02:25,760 I think you can feel that it looks lower. 35 00:02:26,040 --> 00:02:32,380 And if you look at B, there is a lower quality, distracting background. 36 00:02:32,460 --> 00:02:37,620 I think you can feel that the gaze is easily guided towards the character. 37 00:02:37,880 --> 00:02:44,180 And since the quality of the subject is higher than the background, the amount of description is greater. 38 00:02:44,300 --> 00:02:48,460 I think you can feel that it looks more complete. 39 00:02:48,960 --> 00:02:53,420 In other words, in order to show high quality, control of strength and weakness is essential. 40 00:02:53,640 --> 00:02:56,320 Yes, I think it would be good if you could understand it this way. 41 00:02:56,620 --> 00:03:01,240 I think the importance of this strength has been sufficiently explained. 42 00:03:01,540 --> 00:03:07,160 In this lecture, we will use contrast, which is the most effective way to control strength and weakness. 43 00:03:07,340 --> 00:03:10,740 I will explain how to control the intensity. 44 00:03:11,140 --> 00:03:15,180 Let's take a look at the types of contrast used in coloring. 45 00:03:15,520 --> 00:03:19,860 First, we will look at the most important contrast: brightness. 46 00:03:20,200 --> 00:03:24,120 Here, brightness refers to the degree of brightness of a color. 47 00:03:24,420 --> 00:03:28,520 As explained earlier, contrast refers to the two colors attached to each other. 48 00:03:28,660 --> 00:03:31,660 It has the effect of further emphasizing the characteristics. 49 00:03:31,960 --> 00:03:38,220 Therefore, brightness contrast means that when two colors with different brightness are placed together, the bright color becomes brighter. 50 00:03:38,560 --> 00:03:43,780 Darker colors appear darker, meaning they appear separate from each other. 51 00:03:44,140 --> 00:03:49,780 As in the image on the left, if the difference in brightness is small, it is said that the brightness contrast is small. 52 00:03:50,040 --> 00:03:55,520 As in the image on the right, if there is a lot of difference in brightness, it is said to have a large brightness contrast. 53 00:03:55,760 --> 00:04:00,640 And the greater the brightness contrast, the greater the effect of separating them from each other. 54 00:04:00,960 --> 00:04:03,580 There is one thing to be careful about here. 55 00:04:03,920 --> 00:04:06,620 Here, the value is the degree of brightness of the color. 56 00:04:06,880 --> 00:04:10,440 This brightness is not the brightness value in digital numbers. 57 00:04:10,640 --> 00:04:13,260 You need to see the actual brightness of the color. 58 00:04:13,600 --> 00:04:18,420 What is the brightness value in digital values? This is how color 59 00:04:18,540 --> 00:04:22,740 When you float the picker, if it is at the top, it will be 100, and if it is at the bottom, it will be 100. 60 00:04:22,900 --> 00:04:26,960 If it is attached, it means the position value that is 0. 61 00:04:27,140 --> 00:04:30,160 The location value can be checked here. 62 00:04:30,440 --> 00:04:33,300 Let’s try launching the color picker ourselves. 63 00:04:33,700 --> 00:04:36,020 I launched the color picker like this. 64 00:04:36,320 --> 00:04:40,660 Here, the color at the top has 100. 65 00:04:40,860 --> 00:04:46,540 And as you go down, the number decreases and you can see that it is 0. 66 00:04:46,800 --> 00:04:52,180 This digital value remains unchanged even if the hue or saturation changes. 67 00:04:52,400 --> 00:04:55,660 I can confirm that it has no effect. 68 00:04:55,840 --> 00:05:01,240 And the actual brightness of color is determined by the three elements of color: saturation, hue, and brightness. 69 00:05:01,480 --> 00:05:07,000 You can think of it as the final brightness of the color including the value, which is 70 00:05:07,180 --> 00:05:10,520 You can easily check the difference using the quilting function. 71 00:05:10,840 --> 00:05:12,940 I'll pick two colors. 72 00:05:13,280 --> 00:05:15,860 I pulled out this and this. 73 00:05:16,180 --> 00:05:20,820 At this time, use Ctrl U to lower the saturation and check the brightness value. 74 00:05:20,940 --> 00:05:24,860 You can see that the two colors have the same brightness. 75 00:05:25,120 --> 00:05:28,760 This is because Ctrl U shows digital numerical values. 76 00:05:29,100 --> 00:05:34,500 If you look at both colors in the same location, you can see that they are located in the upper right. 77 00:05:34,780 --> 00:05:39,620 Since they are in the same position in this way, the brightness value on this digital number is 78 00:05:39,780 --> 00:05:45,460 Since they are the same, you can see that they appear this way. 79 00:05:45,660 --> 00:05:51,080 And the actual brightness of the color can be confirmed by using layer effects and colors. 80 00:05:51,340 --> 00:05:55,440 We will add a layer and change the layer effect to color. 81 00:05:55,740 --> 00:06:02,030 In this state, if you apply black color on top of these two colors, 82 00:06:02,230 --> 00:06:07,230 actual colors with unique brightness and saturation values. 83 00:06:07,490 --> 00:06:09,330 You can check the brightness. 84 00:06:09,610 --> 00:06:14,050 What we need to see is the brightness of this actual color, 85 00:06:14,190 --> 00:06:18,390 Please be careful as this is an area you should not be confused about. 86 00:06:18,790 --> 00:06:21,950 Let's go back and say why is this contrast important? 87 00:06:22,230 --> 00:06:27,910 This is because this brightness has the greatest influence on the context of the illustration. 88 00:06:28,210 --> 00:06:32,550 I think it would be good to understand that context here is the flow of gaze. 89 00:06:32,910 --> 00:06:36,610 Let’s check this context using an example image. 90 00:06:36,910 --> 00:06:39,030 Here are two images. 91 00:06:39,350 --> 00:06:42,210 First, let's figure out the flow of gaze. 92 00:06:42,530 --> 00:06:48,310 First, the gaze is guided to the face area, followed by white and bright colors. 93 00:06:48,410 --> 00:06:52,470 I think you can see the flow of gaze flowing all the way down. 94 00:06:52,670 --> 00:06:55,470 Let's change the color tone here. 95 00:06:55,810 --> 00:06:59,050 I tried changing the color of the image on the right like this. 96 00:06:59,350 --> 00:07:03,310 You may feel a little distracted, but the overall context is 97 00:07:03,430 --> 00:07:06,350 I think you can feel the maintenance. 98 00:07:06,690 --> 00:07:08,570 The gaze is guided towards the face. 99 00:07:08,790 --> 00:07:14,170 And it seems that this thread flowing downward along the body remains the same. 100 00:07:14,470 --> 00:07:19,470 However, if you change the brightness rather than the hue, the impression will change at a glance. 101 00:07:19,670 --> 00:07:22,470 I think you can see a big change. 102 00:07:22,870 --> 00:07:27,970 The gaze is guided towards the face the same way, but the gaze does not flow downward. 103 00:07:28,190 --> 00:07:32,710 I think you can feel it staying near your face. 104 00:07:32,990 --> 00:07:39,470 In this way, since brightness has the greatest influence on the context of the illustration, it should be appropriately compared to brightness. 105 00:07:39,630 --> 00:07:44,790 By using it, you can easily adjust the amount of information in the illustration up or down. 106 00:07:45,250 --> 00:07:49,290 Let’s try directly increasing the amount of information by comparing brightness. 107 00:07:49,790 --> 00:07:52,870 There are two ways to increase brightness contrast. 108 00:07:53,110 --> 00:07:58,110 In this way, if there is an object in front and behind, the back becomes dark. 109 00:07:58,250 --> 00:08:01,490 There is a way to create brightness contrast by pressing. 110 00:08:01,730 --> 00:08:06,770 And secondly, if there is an object in front and behind, the object behind is 111 00:08:07,030 --> 00:08:10,370 There are cases where brightness and brightness contrast are created by brightening the light. 112 00:08:10,670 --> 00:08:15,390 Basically, in the same case, the objects before and after are attached. 113 00:08:15,470 --> 00:08:19,150 If there is one, press the back button to create brightness contrast. 114 00:08:19,530 --> 00:08:23,350 In this case, the front and back objects are separated. 115 00:08:23,490 --> 00:08:27,590 In this case, the back is brightly lit to create brightness contrast. 116 00:08:27,970 --> 00:08:28,730 I'll try it myself. 117 00:08:29,070 --> 00:08:32,210 Let's go full screen for easier viewing. 118 00:08:32,950 --> 00:08:36,550 The first thing that stands out to me is this part. 119 00:08:37,010 --> 00:08:42,050 There is no contrast between the brightness of the torso and the arms, so they look like one. 120 00:08:43,370 --> 00:08:45,970 You can see what it looks like when combined. 121 00:08:46,510 --> 00:08:50,670 Since the torso and arm parts are attached, the arm part 122 00:08:50,750 --> 00:08:54,250 Let's press dark to create contrast in brightness. 123 00:08:56,370 --> 00:08:59,730 Now I will add a gradient using an airbrush. 124 00:09:05,650 --> 00:09:06,390 All the way down. 125 00:09:12,330 --> 00:09:15,070 I tried contrasting brightness in this way. 126 00:09:15,350 --> 00:09:20,090 And the other arm is completely separated from the body. 127 00:09:20,190 --> 00:09:28,170 Since it is not there, I added a gradient and added brightness. 128 00:09:28,290 --> 00:09:29,770 I made a contrast. 129 00:09:31,190 --> 00:09:37,430 And when you look near the face, the neck and collarbone are also bright. 130 00:09:37,530 --> 00:09:41,390 Because there is no contrast, they look like they are combined as one. 131 00:09:44,930 --> 00:09:48,510 I will make the collarbone area brighter this time. 132 00:09:48,890 --> 00:09:50,530 Because it's away. 133 00:09:52,090 --> 00:09:56,170 In this way, the brightness was subtracted to create contrast. 134 00:09:56,530 --> 00:10:02,770 Next, the side hair and the back of the head are not separated, and this part is also 135 00:10:02,910 --> 00:10:08,050 I think you can make the brightness contrast by making the back brighter. 136 00:10:13,490 --> 00:10:14,010 like this. 137 00:10:23,210 --> 00:10:24,870 It was created in contrast to brightness. 138 00:10:25,450 --> 00:10:27,410 Next, the ribbon part here. 139 00:10:32,290 --> 00:10:37,330 I think you can create contrast by darkening the back. 140 00:10:37,830 --> 00:10:44,930 And the hair is completely missing from each part. 141 00:10:45,070 --> 00:10:47,910 Because it is not visible separately, the amount of information is low. 142 00:10:48,010 --> 00:10:49,990 Let me launch them one by one. 143 00:10:50,530 --> 00:10:55,050 First, brighten the back of the hair on the sides and back of the hair. 144 00:10:55,190 --> 00:10:59,270 I'll take it out and differentiate it. 145 00:11:10,830 --> 00:11:16,510 And the back of my head is a lump too 146 00:11:16,630 --> 00:11:19,910 I'm going to separate the lumps. 147 00:11:20,630 --> 00:11:27,390 The back of the hair will be close to each other, so press it darkly. 148 00:11:27,630 --> 00:11:30,050 I will create a brightness contrast. 149 00:11:41,750 --> 00:11:43,350 I made something like this. 150 00:11:43,970 --> 00:11:48,610 Also, I think it would be good to separate the wings and the back of the head. 151 00:11:50,210 --> 00:11:52,430 Like lightening the hair on the back of your head. 152 00:11:56,970 --> 00:12:00,410 I will create a contrast between the wings and the hair. 153 00:12:01,530 --> 00:12:02,270 Something like this. 154 00:12:04,950 --> 00:12:07,070 And the other wing too. 155 00:12:19,520 --> 00:12:20,580 I'll separate it for you. 156 00:12:31,580 --> 00:12:36,480 And the beret at the top also matches this body part and this 157 00:12:37,400 --> 00:12:40,020 I think you can separate the belt part. 158 00:12:40,560 --> 00:12:45,740 I'll darken the back to create contrast. 159 00:12:49,060 --> 00:12:54,240 Also, I think you can separate the front and back legs. 160 00:12:57,060 --> 00:13:02,540 It looks like it can be separated by pressing the back darkly, since it is attached. 161 00:13:05,640 --> 00:13:10,040 And each finger also presses darkly on the back. 162 00:13:10,860 --> 00:13:12,940 I think I can provide some contrast. 163 00:13:26,620 --> 00:13:33,640 And at the very back, the tail part is also brightly lit. 164 00:13:34,400 --> 00:13:37,040 I think you can create a brightness contrast. 165 00:13:43,340 --> 00:13:43,980 Very good. 166 00:13:44,200 --> 00:13:48,000 And on the other hand, it does not create brightness contrast. 167 00:13:48,140 --> 00:13:51,520 It may also be necessary to reduce contrast. 168 00:13:52,780 --> 00:13:56,880 In this illustration, the subject matter will be the face. 169 00:13:57,060 --> 00:14:02,520 Areas far from the face, such as hair on the back or legs 170 00:14:02,640 --> 00:14:05,920 It would be better if the brightness contrast disappears. 171 00:14:06,220 --> 00:14:10,600 Therefore, reduce the contrast between background and brightness. 172 00:14:13,040 --> 00:14:21,100 To make the lower part bright like this 173 00:14:21,240 --> 00:14:21,780 I will do it. 174 00:14:30,140 --> 00:14:36,460 And the lower part of the light and dark side of the clothes is 175 00:14:38,720 --> 00:14:42,220 The contrast between the undertones and brightness decreases. 176 00:14:42,320 --> 00:14:49,220 So that I can take it out brightly 177 00:14:49,280 --> 00:14:49,800 I will do it. 178 00:14:56,700 --> 00:15:00,700 This will reduce the brightness contrast between the subject and the far side. 179 00:15:01,140 --> 00:15:03,060 And where else is left? 180 00:15:03,420 --> 00:15:09,280 I like this hair on the sides and bangs. 181 00:15:09,380 --> 00:15:11,060 I think it would be good to have some contrast. 182 00:15:23,780 --> 00:15:27,540 And here's a bunch of hair 183 00:15:29,880 --> 00:15:31,260 I will prepare for you. 184 00:15:38,840 --> 00:15:46,100 Uh, create contrast between the side hair and the back hair. 185 00:15:46,220 --> 00:15:47,360 I think I can. 186 00:15:51,300 --> 00:15:59,420 And here, the light part of this side of the head and the dark part of this clothes. 187 00:15:59,520 --> 00:16:02,720 The brightness of the parts is similar, so it looks like they are combined. 188 00:16:03,560 --> 00:16:08,460 I think you can increase the amount of information here too by pressing the dark button on the back. 189 00:16:15,780 --> 00:16:16,920 I make it for you. 190 00:16:17,280 --> 00:16:23,320 And here, the wrinkles, each lump and lump, here too, the brightness 191 00:16:23,440 --> 00:16:26,479 I will make a comparison and increase the amount of information. 192 00:16:28,900 --> 00:16:31,479 I'm going to darken the one in the back. 193 00:16:31,599 --> 00:16:33,500 Because it's stuck. 194 00:16:44,480 --> 00:16:49,400 And this part on the back of my head 195 00:16:49,800 --> 00:16:52,100 I will separate them one by one. 196 00:16:54,540 --> 00:16:58,920 This is because the contrast should decrease as you go down. 197 00:16:59,080 --> 00:17:04,840 Lightly only at the top so that the brightness difference at the top increases. 198 00:17:04,940 --> 00:17:07,420 I'll make it by adding a gradient. 199 00:17:32,080 --> 00:17:33,700 There are also complex shapes here 200 00:17:37,960 --> 00:17:38,820 One by one, one by one. 201 00:17:46,360 --> 00:17:48,040 I will adjust the intensity. 202 00:17:59,200 --> 00:18:06,500 And here, the front and back are 203 00:18:06,740 --> 00:18:08,300 I think they can be separated. 204 00:18:10,040 --> 00:18:13,680 In this way, the rubber part and body of the clothes are 205 00:18:13,800 --> 00:18:17,040 I think you can float that part as well. 206 00:18:23,350 --> 00:18:29,650 Also, the contrast between the tail and the part where the clothes are connected is a bit large, making it unnecessary. 207 00:18:29,730 --> 00:18:34,170 I think it's drawing attention, so I'm going to kill this place even more. 208 00:18:35,850 --> 00:18:36,870 So that there is less contrast. 209 00:18:48,890 --> 00:18:50,850 And if I were to ask, 210 00:18:51,730 --> 00:18:56,110 Something like separation of double eyelids. 211 00:19:09,570 --> 00:19:16,330 It can also create a separation between the mouth and the face. 212 00:19:16,410 --> 00:19:17,530 I think I can. 213 00:19:17,830 --> 00:19:23,050 I just created the brightness contrast without any special description. 214 00:19:23,370 --> 00:19:28,510 Let's compare how much information has been increased by overlapping them. 215 00:19:28,890 --> 00:19:34,630 In this way, the amount of information was increased by just creating a brightness contrast. 216 00:19:34,910 --> 00:19:39,030 And the gaze is guided much more toward the face. 217 00:19:39,150 --> 00:19:41,170 I think we can confirm. 218 00:19:41,510 --> 00:19:44,910 Then, let's finish the brightness comparison practice and learn how to study. 219 00:19:44,970 --> 00:19:47,770 I think it would be good to learn about this for a bit. 220 00:19:48,190 --> 00:19:53,970 In practice, it is difficult to accurately determine the brightness due to surrounding colors. 221 00:19:54,270 --> 00:19:57,910 This can be solved through study in this way. 222 00:19:58,150 --> 00:20:03,350 How can you develop your eye for brightness? Like this on the left. 223 00:20:03,570 --> 00:20:09,330 After importing any image, rather than converting the image on the left to black and white 224 00:20:09,510 --> 00:20:13,550 The idea is to guess the brightness from the color state and move it to the right. 225 00:20:14,830 --> 00:20:17,750 The shape isn't important, so I'll give it a rough outline. 226 00:20:23,870 --> 00:20:28,529 By guessing the brightness in this way, this part will probably be darker. 227 00:20:28,790 --> 00:20:31,310 So dark. 228 00:20:32,970 --> 00:20:36,850 And the part that is receiving reflection on the side or above 229 00:20:37,030 --> 00:20:39,470 The part receiving the reflection will become brighter. 230 00:20:39,690 --> 00:20:41,190 So with bright colors. 231 00:21:01,690 --> 00:21:03,170 You will be able to catch it. 232 00:21:16,150 --> 00:21:21,270 And because the yellow color has a brighter intrinsic brightness, the overall 233 00:21:21,430 --> 00:21:27,170 I think the brightness at the bottom is higher. 234 00:21:51,690 --> 00:21:54,590 When you look at it, the middle is slightly brighter. 235 00:21:54,710 --> 00:21:56,990 So this is being reflected. 236 00:22:04,450 --> 00:22:09,630 The shape isn't important right now, so it's okay to do it roughly. 237 00:22:10,930 --> 00:22:15,290 And here you can see a white line, so it is white. 238 00:22:15,410 --> 00:22:18,710 The color will reflect this line. 239 00:22:19,590 --> 00:22:24,730 And since it gets darker as it expands again, it will reflect a darker color. 240 00:22:25,190 --> 00:22:29,310 Because there is a yellow color inside, the brightness will be higher. 241 00:22:30,210 --> 00:22:31,070 I will draw it for you. 242 00:22:32,390 --> 00:22:32,770 roughly. 243 00:22:57,390 --> 00:23:02,850 There is also a part on the other side that becomes brighter white, so this will be reflected. 244 00:23:26,030 --> 00:23:32,370 And when I painted the whole thing once it was reflected, it got brighter. 245 00:23:32,470 --> 00:23:37,970 I think it's right, so I'll put it in a brighter color. 246 00:23:39,430 --> 00:23:42,370 The reflection on the other side like this. 247 00:24:11,490 --> 00:24:14,310 I think the reflection at the top will also be brighter. 248 00:24:16,470 --> 00:24:19,250 The center is brighter. 249 00:24:48,440 --> 00:24:50,620 I'm drawing the yellow part. 250 00:24:50,940 --> 00:24:54,220 Next, the right side of the apple becomes darker in color. 251 00:24:56,560 --> 00:25:00,520 There seems to be some contrast, so I'll reflect this as well. 252 00:25:16,780 --> 00:25:19,280 They are really painting it roughly. 253 00:25:21,620 --> 00:25:27,300 Because it is not important to get the form correct at this stage of study. 254 00:25:34,260 --> 00:25:39,540 A situation where you can't see the exact brightness because you're trying to get the shape right. 255 00:25:39,660 --> 00:25:45,220 I continue to paint with an emphasis on brightness to prevent this from happening. 256 00:26:56,000 --> 00:26:57,080 Let’s lay some down. 257 00:26:57,620 --> 00:27:01,920 I thought it would be okay if the part receiving the reflection was brighter. 258 00:27:02,000 --> 00:27:05,900 I'll use the airbrush to brighten the sides a little more. 259 00:27:19,840 --> 00:27:23,180 And the shadow on the bottom will become dark. 260 00:27:29,260 --> 00:27:30,940 And it's spreading widely. 261 00:27:54,140 --> 00:27:59,440 It seems to be spreading more left and right, so we will reflect that as well. 262 00:28:06,080 --> 00:28:09,580 Let me brighten the highlight area here once more. 263 00:28:13,040 --> 00:28:18,560 By continuously comparing the brightness next to it, you can find the correct brightness. 264 00:28:19,100 --> 00:28:22,040 It would be good if you could calculate it to find it. 265 00:28:22,760 --> 00:28:30,440 For example, the brightness of this middle part should be brighter than the top and bottom parts. 266 00:28:30,500 --> 00:28:34,620 It will work, so I think it would be a good idea to pay attention to that part. 267 00:28:34,860 --> 00:28:41,260 And if you look closely at the highlight area, the top part becomes a little brighter. 268 00:28:41,420 --> 00:28:46,479 The middle is a little darker, then brighter again, then dark again, light and dark. 269 00:28:46,660 --> 00:28:54,160 You can see that a bright, repeating shape appears, and in the center of this 270 00:28:54,260 --> 00:28:58,140 You can see that it is painted dark red. 271 00:28:58,400 --> 00:29:03,660 I think it would be good if you drew an apple while reflecting these parts. 272 00:29:11,680 --> 00:29:15,380 It seems to get dark here too and then get brighter at the end. 273 00:29:16,180 --> 00:29:19,480 Then apply a dark tone to the center. 274 00:29:45,960 --> 00:29:50,700 And I will also reflect these patterns created by dots. 275 00:29:54,100 --> 00:29:57,800 Since we are not looking at the shape force right now, we need to check the exact location of the point. 276 00:29:57,960 --> 00:30:03,140 There is a pattern with this kind of brightness rather than the feeling of being photographed. 277 00:30:03,320 --> 00:30:07,920 I will draw it to indicate the degree. 278 00:30:30,660 --> 00:30:35,160 Basically, the color is rather than the white background. 279 00:30:35,700 --> 00:30:36,960 Because it looks dark. 280 00:30:38,568 --> 00:30:42,948 I am drawing carefully so as not to use completely raw white. 281 00:31:13,508 --> 00:31:15,588 I'm going to draw a pattern here too. 282 00:32:01,848 --> 00:32:07,528 And finally, use a large brush and draw this from a distance. 283 00:32:07,728 --> 00:32:12,148 Be sure to keep the entire shot open and look at the entire shot to see subtle details. 284 00:32:12,248 --> 00:32:15,268 We will try to find those values. 285 00:32:15,648 --> 00:32:20,148 When I look at the entire shot, I feel like the top is a bit dark now. 286 00:32:20,948 --> 00:32:24,068 I applied bright colors like this with a large brush. 287 00:32:28,608 --> 00:32:33,748 And when the center of the apple becomes darker, 288 00:32:33,828 --> 00:32:36,128 I’m applying it because I think it’s good. 289 00:33:09,088 --> 00:33:14,608 When I look at this, the tip and bottom of the apple are completely separated, but I 290 00:33:14,788 --> 00:33:19,408 The thing that looks a little lumpy seems to have less contrast in brightness. 291 00:33:21,528 --> 00:33:23,808 I'll press the bottom darker. 292 00:33:40,388 --> 00:33:41,868 Make it a little brighter. 293 00:33:56,588 --> 00:34:00,168 Now, I tried to draw the name like this. 294 00:34:00,328 --> 00:34:05,708 Well, it doesn't end with drawing like this, but converts the image you drew into black and white. 295 00:34:05,888 --> 00:34:11,608 Let's turn it around and take the time to review to what extent we have understood the brightness. 296 00:34:13,008 --> 00:34:17,168 When you turn it into black and white like this, you wonder where you missed it. 297 00:34:17,468 --> 00:34:22,808 Check where you missed it and correct the error to avoid repetition. 298 00:34:22,948 --> 00:34:25,048 I think it would be good to try to shorten it. 299 00:34:25,308 --> 00:34:29,608 In my case, I have a habit of looking brightly. 300 00:34:29,808 --> 00:34:33,468 That's why I try to be conscious of that part. 301 00:34:33,948 --> 00:34:39,928 In this case of the apple picture, it is noticeable that the brightness on this side is very off. 302 00:34:40,188 --> 00:34:46,188 And on the right, the brightness of the dark area is much darker than in the original. 303 00:34:46,328 --> 00:34:50,808 It is used as a color, but I think I drew it brighter. 304 00:34:51,068 --> 00:34:52,988 The habit hasn't been changed yet. 305 00:34:53,288 --> 00:34:57,008 Students, sometimes it doesn't take much time. 306 00:34:57,228 --> 00:35:02,428 By training in meditation in this way, you can learn and modify your own habits. 307 00:35:02,608 --> 00:35:05,548 I think it would be a good idea to develop an eye for clarity. 308 00:35:05,948 --> 00:35:08,508 Let’s end the brightness contrast part like this. 309 00:35:08,848 --> 00:35:12,928 Other types of contrast used in coloring are briefly explained. 310 00:35:13,408 --> 00:35:16,188 I will just go through it and conclude this lecture. 311 00:35:16,748 --> 00:35:21,168 Let’s look at the types of contrast used in coloring, excluding brightness contrast. 312 00:35:21,588 --> 00:35:23,788 First of all, there is saturation contrast. 313 00:35:24,168 --> 00:35:28,488 Saturation In contrast, saturation refers to the vividness of a color. 314 00:35:28,808 --> 00:35:32,368 The closer it gets to gray, the lower the saturation is. 315 00:35:32,668 --> 00:35:34,848 Here is an example of saturation contrast. 316 00:35:35,208 --> 00:35:40,788 In the case of the image on the left, there is little difference in saturation, and in the case of the image on the right, 317 00:35:40,928 --> 00:35:46,068 The difference in saturation is large. In this way, the larger the saturation difference, the more separated the colors are. 318 00:35:46,208 --> 00:35:48,948 I think you can feel what it looks like. 319 00:35:49,228 --> 00:35:51,488 Next, there is complementary color contrast. 320 00:35:51,888 --> 00:35:56,608 Here, complementary colors refer to colors located opposite on the color wheel. 321 00:35:57,008 --> 00:36:01,628 The color wheel is a way to see changes in color at a glance. 322 00:36:01,788 --> 00:36:06,168 It means organized in a ring shape, where the red color 323 00:36:06,308 --> 00:36:10,108 The complementary color would be the green across from it. 324 00:36:10,548 --> 00:36:14,468 Orange will become blue and purple will become yellow. 325 00:36:14,728 --> 00:36:19,948 And on the other hand, there is something called an analogous color. Analogous colors are on the color wheel. 326 00:36:20,288 --> 00:36:23,568 Colors located next to each other are called similar colors. 327 00:36:23,968 --> 00:36:27,468 In the case of similar colors to red, like this 328 00:36:27,648 --> 00:36:30,588 It might be purple or orange. 329 00:36:30,968 --> 00:36:33,148 Let’s look at an example of contrasting complementary colors. 330 00:36:33,608 --> 00:36:38,928 In the image on the left, a similar blue color is placed in the center. 331 00:36:39,228 --> 00:36:42,908 In the case of the image on the right, the complementary color of blue is 332 00:36:43,028 --> 00:36:45,288 The orange one is in the middle. 333 00:36:45,548 --> 00:36:49,948 When colors are complementary in this way, the colors become more separated. 334 00:36:50,048 --> 00:36:52,268 I think I can confirm that it exists. 335 00:36:52,568 --> 00:36:54,628 And there is disaster preparedness. 336 00:36:54,948 --> 00:37:00,228 Cold and warm colors contrast with hot and cold. Cold colors give a cold feeling. 337 00:37:00,488 --> 00:37:04,608 Color, warm color refers to a color that gives a warm feeling. 338 00:37:04,928 --> 00:37:10,528 The colors located in the upper right corner of the color wheel like this are warm colors. 339 00:37:10,588 --> 00:37:14,628 And the color located at the bottom left becomes one color. 340 00:37:14,948 --> 00:37:17,848 In the middle, not located on either side 341 00:37:17,928 --> 00:37:21,808 Colors that are located are called neutral colors. 342 00:37:22,288 --> 00:37:23,968 Let’s look at an example of disaster preparedness. 343 00:37:24,228 --> 00:37:27,848 In this way, in the case of the image on the left, 344 00:37:27,988 --> 00:37:31,468 Red, a warm color, was placed on orange. 345 00:37:31,688 --> 00:37:35,648 In the case of the image on the right, it is a warm orange color. 346 00:37:35,828 --> 00:37:38,528 The solid color blue was placed in the center. 347 00:37:38,908 --> 00:37:42,908 You need to draw the eye to the main theme with cool and warm colors. 348 00:37:43,288 --> 00:37:47,108 This may have been known to many people, but it was really difficult to color it. 349 00:37:47,248 --> 00:37:50,148 It would be a good idea to check whether you are using it or not. 350 00:37:50,408 --> 00:37:54,428 Up to this point, it was time to adjust the strength and weakness using contrast in the second lesson. 351 00:37:54,688 --> 00:37:58,208 Next time, we'll talk about silhouettes. 352 00:37:58,648 --> 00:37:59,708 Thank you for your hard work. 353 00:38:00,028 --> 00:38:00,988 See you next time.